Episode Transcript
Speaker 0 00:00:01 Don't. It's just, you're there. A hell it's called.
Speaker 1 00:00:25 Alright guys, welcome back to the Raise Rowdy podcast. I'm your host Nikki t and we're kind of kicking it old school this week. If you listen to the early days of the podcast, you'll know that we used to do a bunch of green room podcasts and we are back with a Green room pod here at the basement east. We got our buddies Josh Loy and Trenton Fletcher. Uh, why don't you guys, uh, say hello and so they know who each of you is on vocals. What's
Speaker 2 00:00:48 Up guys? It's Josh over here. Um, how's
Speaker 3 00:00:50 It going? Trenton and I here.
Speaker 2 00:00:52 <laugh>.
Speaker 1 00:00:52 Well, thanks so much for, uh, taking some time to kind of kick it with us here in the, the green room at the basement east while y'all are in Nashville.
Speaker 2 00:00:59 Yeah man. Great time. We're ready for it.
Speaker 1 00:01:01 How long have you guys been out on the road so far on this like tour y'all have been doing?
Speaker 2 00:01:05 So we just got back, we've been in California for goy two weeks. I think it's, it's feels like it's been months, man. Um, we were in California, we got home and then next week we come here. So this is actually only our second show on the road. Mm-hmm. <affirmative>. Uh, our first show was yesterday. So we've, we've been home a lot. I have, anyways, I don't know about trend.
Speaker 3 00:01:27 I mean, we've been blessed to be gone quite a bit lately. We were in Fort Smith, Arkansas last weekend, went back home, played mechanical all week and drove through the night here. So
Speaker 1 00:01:36 Nothing wrong with that. How long of a drive?
Speaker 3 00:01:39 Uh, from Long Grove, Oklahoma. It was right at 10 and a half straight. It took us 13 to get here. You
Speaker 2 00:01:44 Drove that old Ford man trust the old Fords That, that o
Speaker 3 00:01:47 B s motel baby
Speaker 1 00:01:48 <laugh> man. I'm like actually looking for a van now. I just had like a shitty Elantra and I was like, I just wanna have like a Ford Transit and drive it around all the time. Right. Just wrap it and raise Rowdy, you know, <laugh> just make it my everyday driver just walking billboard or driving billboard. I guess I
Speaker 2 00:02:03 Just got mine wrapped, man. Billboard. That's what it's dude, it looks,
Speaker 1 00:02:05 It looks sick. I saw that. That thing's nice. What is that rig
Speaker 2 00:02:08 Dude? So it's um, it's a freight liner. It's a 2011. My dad is the genius behind it. Um, we bought it right when we started touring and everyone's like, dude, you don't need a bus, you need to buy a new van. And me and my dad are both like cheap asses. Right. So my dad finds this on eBay for eight grand, dude. We buy it. Um, it hasn't broke down. We've took it all over America the last three years, dude. It's awesome. So yeah, it's an old freight liner bus. We just got it wrapped.
Speaker 1 00:02:37 Yeah, you do you just like leave it like the freight liner pretty much? Uh, or is it like, do you put bunks in it and shit,
Speaker 2 00:02:42 Man? Yeah, definitely. We've redid it. We put the, a new rear gear in it and it goes like 93 miles <laugh> and now it's got my name on it so, you know, we just embrace it at this point. Dude,
Speaker 1 00:02:53 That's amazing.
Speaker 2 00:02:54 <laugh>. But yeah, we got some beds on it. That's
Speaker 1 00:02:55 Sick. I know. We talked to Corey Kent and he was in like a van for the longest time. Uhhuh. It was like a red van and it was like his signature van and he's finally like in a bus now, you know? Right.
Speaker 2 00:03:05 Dude, Corey's a cool guy,
Speaker 1 00:03:06 But he was like, what am I gonna do with the red van now? I don't wanna get rid of it. He tried selling it to our tattoo artist Mike Stahl. He's like, dude, I don't wanna get rid of it, but I'd sell it to you kind of thing.
Speaker 3 00:03:15 I was actually gonna rent it from them a couple weekends. Oh really? I'm might have to <laugh>. Yeah,
Speaker 1 00:03:19 Dude. Corey's a g I remember, uh, having him on the pod, I remember seeing him like when he was still Corey Kent White and I was like, damn, this dude's good. And then got to catch him, uh, when it was like kind of still coy and he was like, it was like right when he was starting to put new music out. Right. But like, kind of right when it was starting and so it wasn't like working yet. And uh, he's like, dude, I'll never forget that. Like you guys were with me. Like when it was like, I didn't know if it was gonna work or not. <laugh>, you know? Right. Dude. So then we got to do some cool content with him at like Peaches of Rome, Georgia, which is a cool venue here in the Southeast. Really? Yeah. How much have you guys played in like the, the south other than the Texas, Oklahoma scene? Like have you guys gotten into like Georgia and any of that shit yet?
Speaker 2 00:04:00 Dude, I haven't. Like we've, we've been, we've been near it, but we started out, we've been in the Midwest a lot mm-hmm. <affirmative>, uh, when we first started touring. Like it's ingrained in people like me and Trenton, like Texas. Texas. Yeah. You know, that's where we need to go. Right. And the guys I'm running with were like, dude, you don't need to do the Texas thing anymore. Like, you can be bigger than that, you know? Yeah. So trusted that. And we've been Midwest and it's worked, man. Like you we're bigger at home, you know, now. Yeah. So yeah. We're, we're expanding now. We're, we're going everywhere now.
Speaker 1 00:04:32 That's the cool thing is like, it's funny 'cause the less you play in town, the bigger each in town show is. You know, it's all a
Speaker 2 00:04:39 Game dude. It's not
Speaker 1 00:04:39 Just in town. It's like wherever your good markets are Right. Then you can go play a bigger room. If you don't play it three times a year, you know, <laugh>. Right. Man, you play the bigger room and then you can try to build outside the markets
Speaker 2 00:04:49 There. Local people like respecting more 'cause they're like, okay, they're big there, you know, they gotta be Yeah. Take serious coming back. Yeah.
Speaker 3 00:04:56 Well I noticed like a couple years ago when y'all started going Midwest, you know, and going north, I was like, you know, I gotta start getting into some of the venues that, that you were getting in early on and you told me the same thing. And now we're kind of doing the same thing. We're getting up to Bucks Nebraska and Rods and Minnesota, and now we got the same agent now too. I mean, it's kind of,
Speaker 2 00:05:14 It's a circuit
Speaker 3 00:05:15 Put us right in it, it's a cool circuit, but we've never been out this far at all this far
Speaker 1 00:05:18 East. Nashville's a crazy town too because it's like everyone kind of comes through here, but like, it's hard to sell tickets in Nashville. Right. And then when it pops, it fucking pops <laugh>, you know? Right. Dude. You'll see someone play in a room that's like 150 cap room and then you'll see someone play like a 2000 cap room quick. You know? Dude, the vibe
Speaker 3 00:05:37 Here is sick.
Speaker 1 00:05:38 Uh, that's awesome. This place is amazing. Like, I love this venue. It's sounds great. Like there's a lot of room. If it's not full, they just like take that one corner off. That's
Speaker 2 00:05:47 What he was telling me.
Speaker 1 00:05:48 Keeps people in like more in the center, which is great. Right. That's dope. Um, I remember seeing Colby Cooper and then Cory Kent was actually opening for him on that one. Really?
Speaker 2 00:05:58 And then, then it got a radio on number one. Yeah.
Speaker 1 00:06:00 Yeah. No, he has a number one radio doing pretty good. But, um, it was just, it's it's a great place to see shows here and it's, you get a lot of like the red dirt scene that'll come through here. Like I saw, I saw Reed Southall and Giovanni in the Hard Guns back to back here. No. Like two nights in a row. And I was like, damn. That's when, you know, like the, the scene is coming to Nashville when you Yeah.
Speaker 2 00:06:22 There's a place for us, man. Yeah, man. It's crazy.
Speaker 1 00:06:25 And that's one of the things too that I've seen is like the Oklahoma, Texas, like the red dirt scene has been embraced so much by Nashville specifically since like I've been here. Right. Um, you've just seen it happen and guys, I mean, you've seen great success by folks like, you know, like, uh, Aaron Watson and Cody, but Right. That's opened up the doors for so much more, you know?
Speaker 2 00:06:45 Right. The new generation. Yeah, for sure.
Speaker 1 00:06:47 And then I remember like watching co tour through the Southeast when he first started doing it, it was like, well he was actually with Musket on who I'm like, you know, good buddies with Cool the boys from Musket, great guys. One of those dudes. And, uh, I remember they were like, co took them out on some dates and then he took them out on some dates and it was like, you know Yeah. Like introducing each other to the other markets. Right. It's neat that they have relationships like that. Yeah.
Speaker 2 00:07:10 That helped. That propels people man. For sure. Yeah. I was around when Reed and Co were doing that. Yeah. Because I'm, I mean, that's kind of where I was, where it all started. I was there like I was younger and I wasn't in it yet, but I watched it, you know? Yeah. From afar.
Speaker 1 00:07:23 Yeah. What, uh, what do you think like the best part about like the Stillwater scene is in music industry? Like, what's the thing that makes it so great?
Speaker 2 00:07:31 Man, I don't, it's, it's authentic man. It's just like, uh, nobody is, to me, nobody's like handed it, you know, like you're, it's just like people out there grinding and then somebody pops and it's like, dude, like, they just pop. It's crazy.
Speaker 3 00:07:48 And there's no bullshit too. It's like, I mean, if, if it's something as real and honest, you know, from the soul out there, it's respected and I don't know. I mean it's, I dunno, it's held to a higher standard as far as writing goes. You know, people kind of keep each other in check and, you know, if your buddy writes a shitty song, you're like, hey, like, you know, work on it a little bit, you know? I don't know. It's, it's a cool kind of like, camaraderie thing that goes on up there and Oh, it's cool. It's fun. Right.
Speaker 1 00:08:11 Have you guys co-written extensively or Not too much. Or?
Speaker 2 00:08:14 Me and Trenton. Dude, we've done everything but co-writing. Dude,
Speaker 3 00:08:17 We've been talking about a few years we've talked about it. I see one of the get on dude, we
Speaker 2 00:08:20 Did, no Man, we've ran around together, but we've never sit down. I'm weird. I'm terrible. I'm, I'm finally getting outta my shell on co-writing. Mm-hmm. And like this last year, you know, um, I don't know, trends done it Cora
Speaker 3 00:08:34 A little bit. Uh, Zach Rainer and I, we wrote a few together, but I dunno, I'm, I'm kinda the same way. Like, I get in like my, my own set way of doing things. Like I know, like what makes me click, I know like the setting and Right. You know, the, the things that get me like in the state of mind. And it is kinda hard sometimes to like sit down and write with people, but I guess being more open to that is just part of growing as a rider probably. Right. We need to do more of it honest side
Speaker 2 00:08:57 For sure. Vital. I
Speaker 1 00:08:59 Think there's great ways for success. I mean, look at how many great people are mostly solar, right? Like Childers and all those guys. Right.
Speaker 2 00:09:05 Right. It can be
Speaker 1 00:09:06 Done, man. There's no wrong right or wrong way to do it. Right. It's just what you're comfortable with and what makes sense for you. Right. The cool thing about Nashville is like, there is that songwriter community. Yeah. So like any day of the week, there's hundreds of songs being written. Most of 'em aren't good, but, you know, <laugh> Sure. But like, that's how you get better. Yeah. Quantities
Speaker 2 00:09:25 There though.
Speaker 1 00:09:25 Yeah. And that's like, I mean, a lot of people that we've talked to are like, well, you get better by reps same way as playing music. Yep. You know, you're out doing the live show, your live show gets better if you're writing songs, the songs get better. So That's
Speaker 2 00:09:36 True, man. It's, uh, take from a bigger pool. Yeah, definitely. Get better stuff.
Speaker 1 00:09:40 Yeah. That's it. So it's like, I know like, uh, the thing they say in Nashville is like, the first a hundred don't count. And I was like, that's not the case anymore because man, like you see so many artists that like, they're like, yeah, this is my first song I ever wrote. Or like, this is like probably the 10th song I ever wrote. And that's the one that like really makes it happen, you know?
Speaker 2 00:09:57 It is, dude, that's common man. It is. Some of mine, I didn't think I'd ever get past them like the first ones. And I feel like a lot of people discredit their early on stuff. Yeah. But it's like, uh, I don't know, to me it's like, don't be ashamed of it. It's like part of your journey. Like, I like, I mean obviously some of 'em I'm like, ugh. But I mean, it's part of it, man. Like, you know, you
Speaker 3 00:10:17 Ever come back to like ones you put on the shelf like three or four years ago and like come back with a fresh view on it and work on it now? Yeah, for sure.
Speaker 2 00:10:24 I've been that little bit lately because I feel like when you learn too much, you lose, like, like I was arguably more creative when I was less musically inclined. I feel like, like, I don't know, I'm going through phases, but like, there's something to say about not knowing the right way to do things. Yeah. Because I mean, you can make stuff, you can make cool stuff when you're not confined to a box. Yeah.
Speaker 3 00:10:50 I used to be really bad about, you know, getting attached to the ideas and attached to the songs and wanting every single one to be perfect the way you think it should be. Right. And I kinda had to realize like, sometimes you just gotta write the shitty songs just to get 'em outta your brain where they don't take up space there and let's, you know, room to breathe for other things. But that's something I had to get over for sure.
Speaker 2 00:11:09 Yeah, man. Because
Speaker 3 00:11:10 I'll sit there and I'll just like try to force the song to happen and just ain't meant to be sometimes.
Speaker 1 00:11:14 Yeah. Yeah. I think that's one of the things that people like see benefit of co-write is if you get something and you're like, man, I just got it where I could get it and I don't know what to do from there. You might have two buddies that could help you get there,
Speaker 2 00:11:26 You know?
Speaker 3 00:11:26 Right. Yeah.
Speaker 2 00:11:27 That's where I'm more comfortable. Like, I'm not, I'm not a comfortable person to throw me in a room and write a song with somebody. Yeah. I'm like, I'm like, I like coming with an idea and then somebody that I think would work well with it. Yeah. That's just how I work.
Speaker 1 00:11:38 Makes sense. But it's just interesting to me, like getting to hear like from Nashville, folks that have been here a while and then folks from other scenes and just how their creative processes work. Right. You know, uh, you'll see guys in town, you'll be out at Red Door wherever, and like, you'll say something and they'll be like, you know, putting it in their phone and like always making notes. You know, <laugh>, they got that brain on all the time. You know, <laugh>,
Speaker 3 00:12:01 I'll be watching movies and get ideas. I've got like certain folders on my notes, just like for certain ideas of songs. I
Speaker 2 00:12:06 Got voice memo. I'm bad
Speaker 3 00:12:08 Not labeling those though. So I have to type
Speaker 2 00:12:09 Me, I'll type, don't forget. Go through the dates.
Speaker 1 00:12:12 Yeah. It's, it's cool to see that. Any, uh, any markets that you guys have been to that you've been like, damn, this is crazy. Or like, unexpectedly sold more tickets somewhere or anything like that? Just fans singing back anywhere in particular? Dude,
Speaker 2 00:12:26 For me lately, this sounds so self-absorbed, but dude, it's, lately it's been incredible. Like, everywhere we go, uh, that last song we put out Porchlight, people just know it, dude. It's unbelievable. Like everywhere we're going, they're not, they're singing it with us. And that's new to me, man. Mm-hmm. <affirmative>, because like, that's everything I've ever dreamed of, you know? Yep. So, I don't know. Nowhere in particular. I hope 10 tonights is good. Yeah.
Speaker 1 00:12:52 I hope Nashville <laugh>
Speaker 3 00:12:54 We're still, you know, we're just now getting where we're out on the road quite a bit. Mm-hmm. <affirmative>, like, we just got into Texas, I think last October. It was the first like three day run we did in Texas mm-hmm. <affirmative>. And it's just kind of been since last September, October really trying to get our feet underneath us. But honestly, I think our best market's, San Angelo, Texas,
Speaker 2 00:13:09 Uh, what's in, what's the Blaine's pub? Blaine's, yeah. Okay. Which
Speaker 3 00:13:12 Cody that owns that place now, he's kind of the first person to throw us a bone and like bring us down in Texas and invite us down there. Hell yeah. And I've been emailing everybody down there forever. The blue light brought us in and I, right about the same time Cody hit us up and got us in Blain's. And dude, that's, that's our best market for sure. He is down.
Speaker 2 00:13:27 I I like that part of Texas. I love Texas. I I didn't mean to knock it. Like, you know, that's a huge market for my music for sure. Yeah.
Speaker 3 00:13:34 West Texas gets down.
Speaker 2 00:13:35 Yeah, yeah, yeah. I'm a fan.
Speaker 1 00:13:37 It's, uh, it's interesting too, like when you talk to Oklahoma folks and Texas folks and they're like, there's like a little rivalry there, you know,
Speaker 2 00:13:44 It's like prideful of your state, but like, you know, like Yeah.
Speaker 1 00:13:46 But you also were like, I can go there and sell tickets. That's great. You know, <laugh>. Right,
Speaker 2 00:13:49 Right.
Speaker 1 00:13:50 Um, why don't you talk about like, man, you said you hadn't been on a podcast in like a year, but yeah, dude, your life and the amount of people listening to your songs and stuff have drastically changed. Yeah,
Speaker 2 00:14:00 Man. The last year has been incredible. It's, it's been like since I started what I've like wanted to do. Yeah. Like, you know, and it didn't happen and it didn't happen, and you get down and then it just happens, man. But, uh, I don't know, man, just been grinding, trying to still doing stuff my own way. I don't have a manager. I don't, still don't have a label. And I don't know, I just like doing it that way. I'm a d i y person. Trent's similar to me. We're both kind of on the outside, but Yeah, now's the time. You can still, you can crack through being on the outside, man, so. Absolutely. That's what I'm trying to do. I just, it's,
Speaker 1 00:14:35 It's, uh, it's one of those times where like the music can transcend area. Right. So like sure. Like with TikTok and social media and just streaming in general, right. You know, a song can get a life of its own
Speaker 2 00:14:48 Powerful man.
Speaker 1 00:14:48 And then you look at where people are listening to, to it and you're like, where are they listening to it? You know,
Speaker 2 00:14:53 <laugh>. Right. It's powerful, dude. Social media. It's, that's, I mean, that's where that's made my career so far. It's nuts because I've just bypassed, you know, the traditional way. It's our, it's just a new, new thing. It's working.
Speaker 1 00:15:07 It is, man. And it's like you've seen the guys that have been okay, got big on socials, then went and got the label deal and stuff. Right.
Speaker 2 00:15:15 Right. Dude,
Speaker 1 00:15:16 You don't even have to do that. Like, that's one way. And there's power in it's Yeah. There's power in that. You don't, man, look at guys like Cody and you know, folks from Texas that came to the table with everything. Dude,
Speaker 2 00:15:28 That's my, that's who I'm modeling my, I mean mm-hmm. <affirmative>, I still talk to Cody, like that's who I'm modeling after, man. Because he's that's business man. Yeah. I mean, he's a smart guy.
Speaker 1 00:15:38 Yep. And that's what you gotta think about. I mean, I'm sure you guys have LLCs for yourself, <laugh>, you know? Right. And that's how it works. Like you were in the business of your music and your persona and your thing. Right. You know, and it's, it's so interesting to like, think about it like that, but you have to think about it like a business.
Speaker 2 00:15:55 Oh, absolutely. Dude. People are deceived if they think otherwise. Yeah. Yeah. Or if you think like, I know music is music and, and, um, it's universal. It brings people together. But dude, there is a competitive edge to it. Yeah. For someone like me, I'm just a natural competitor and that's like my drive. And, and I love, I love Trent to death and I love everybody to death, but I don't, I'm trying to make it my own, you know, I, i I gotta drive and, uh, that's just me. I might be off topic, but anyways. Yeah. <laugh>, you were talking about how young people labels, man, you don't, you don't have to do it that way. No. There's, if you, if you mind doing the work yourself
Speaker 1 00:16:34 Yes. As long as you have the work ethic. Right. Like what labels help with is, it's like, okay, you need me to do this, this specific time. Like, someone kinda like helping you manage when you have to do content shoots and shit like that. Right? Yeah. But if you're self motivated and you have the resources or have access to people in your area or crew that have the resources, you don't need that. You
Speaker 2 00:16:56 Don't. Dude, I've got offers from big labels and I've just, like, I've sit there and thought like, who these guys are with. And I'm like, we're, I mean, we're already past some of these guys. And, and I've been watching 'em since they signed a label. 'cause I'm like obsessed with the business side. Like, I like micro look into other artists. I'm like, what are they doing? Did this work? And I'm like, dude, I don't want, labels aren't pointless. They're not, but no. Yeah. I mean, someone like me, I don't think I need one. I don't see a point to it. Yeah. Not right now. I mean, the,
Speaker 1 00:17:28 The things that a label could do is put you on terrestrial radio.
Speaker 2 00:17:31 Right. But like you, I'm not interested
Speaker 1 00:17:32 In that. Right. You don't even need that. No. And at some point that can like almost diminish your brand at this point. Right. You know,
Speaker 2 00:17:39 In today's culture. 'cause people want, dude, they can, they're sniffing out the fake machine, dude. Yep. They want right away. They want, they want you,
Speaker 1 00:17:46 They want authentic underground, like real shit. Specifically in like that Oklahoma red, dirty scene. Right. You know what I mean?
Speaker 2 00:17:53 Right.
Speaker 3 00:17:54 Dude. It's almost how like, vintage stuff comes back around. You know, everybody's into like the vintage clothes and everything. It is,
Speaker 2 00:17:58 It's like, it's turning into the cool guy country. Hopefully it doesn't like get, I'm hoping like, and I'm guessing every, it always swings, but I hope it doesn't, like it might get oversaturated, you know, what we're doing. Yeah. I don't know. I love it.
Speaker 1 00:18:11 It's, it's all waves. We're
Speaker 2 00:18:12 Lucky to be in it, dude. Yeah, yeah. For sure. In the heat of it,
Speaker 1 00:18:15 If you think about it, like every artist that's had long careers, everything's constantly changing. Mm-hmm. <affirmative>, it's just, and the scene changes. Right. Like if you're talking about like, what's happening right now, it's like sad boy country. Right. That's like almost folk. Right. You know, and then it's like absolutely. The rocking stuff. And honestly like the red dirt scene is very big in the industry right now. Sure. More so than at least in my life that it's ever been. Sure. You know, I remember like when I was young, like hearing about ragweed and stuff like that. Yeah. But we really didn't get exposure to that stuff up north.
Speaker 2 00:18:45 No. Now it's on like a national scale. Yes. Yeah. Like it's like ragweed bull and those guys and then like the next generation's like turnpike. Yes. And then like Zach Bryan, like, yep. It's just crazy. Dude.
Speaker 1 00:18:56 I remember seeing Turnpike in 2015, kind of by chance Uhhuh <affirmative> Really? And just my brain exploded. I was like, wait, this exists? And I don't know what it is, <laugh>. Like I thought I knew my shit, you know, <laugh>. Right. I was like, how do I not know this yet? You know? But streaming was there, but it wasn't like it is now where it's like the only thing, you know, you
Speaker 2 00:19:15 Heard this stuff now, it's crazy, dude. It's
Speaker 1 00:19:16 Nuts. And
Speaker 3 00:19:17 It's so easy to find like similar tastes, you know, it's so easy. Like if you like turnpike, it puts you on immediately. Like all these other bands that they tore with usually Yes. Like bands that are right up their alley. Yep. And they're not just gonna throw 'em in with the algorithm with some, you know, somebody totally not similar to 'em. It's gonna be right up your alley if you like them. You
Speaker 2 00:19:33 Know, it's like arguably like going head to head like with Yeah. Like real, like mainstream country. Yeah. I mean, it's crazy dude.
Speaker 1 00:19:40 It's super, it's super interesting to like watch it happen and just kind of observe how that happens. And then it's like, okay, you get on a playlist, then you start getting on more playlists. Right. Because then every release they put out they're actually fucking listening to it. Right. You know? Really. That's what like a manager or laborer doing or, Hey, here's my God's stuff. Make sure you listen ahead of time. Okay. It's good. We'll put it on a playlist. Sure. Well if you had a song that hits a playlist Right Then every other song they're actually, that's in their list of actually paying attention to, you know?
Speaker 2 00:20:10 Right. Yeah. Once you're on the radar, dude. Yeah.
Speaker 1 00:20:12 Once you're on the radar, it starts working. One of our buddies put out like a song, uh, faded and hit all genre playlist. And he
Speaker 2 00:20:18 Was like, how did
Speaker 1 00:20:19 That even happen? I'm like the only country song on here. But it was like, it was almost like a butt rock song. You know,
Speaker 2 00:20:24 <laugh>,
Speaker 1 00:20:25 We uh, we do a bit in town like twice a year or we call Butt Rock Night Uhhuh. And uh, it's full band karaoke basically. But each artist does one song and they'll sing like a Creed or Nickelback or like see their hinder good
Speaker 2 00:20:40 Stuff
Speaker 3 00:20:41 That is
Speaker 1 00:20:42 Suit. And it's like, it's like a spectacle when we do it. Everybody just dresses up like an idiot idiot and wears like black t-shirts and rings and like big necklaces and shit. <laugh>
Speaker 2 00:20:51 All the jokes aside, dude, the amount of hits that come from those people. Oh yeah, dude. Oh yeah, dude. Nickelbacks like a greatest hits band. Right. It's nuts. It's bizarre.
Speaker 1 00:20:59 We just got to see them. Our buddy Peyton's here, which is gonna be starting a podcast soon with us. And uh, we go, he actually had Nickelback fan club, so he got us all tickets and we were like, there was a bunch of us, there were like eight of us or nine of us. And he was like, where should we get? I'm like, bro, let's go like back row <laugh>. I was like, it's like 2005 again. I wanna be in the back row hammered drunk,
Speaker 2 00:21:22 Listening
Speaker 1 00:21:23 To Nickelback with all my friends.
Speaker 2 00:21:24 Takes you back, man. Yeah. And that, that was an era, man.
Speaker 1 00:21:28 I know. It was nuts. It's like after that rock kind of like died off. And it's funny because it did
Speaker 2 00:21:33 'cause it was mainstream then It
Speaker 1 00:21:34 Was so mainstream. But I think it's coming back and I think it's coming back in this scene. Right.
Speaker 2 00:21:39 Dude.
Speaker 1 00:21:40 A weird
Speaker 2 00:21:40 Nick. It's so, it's
Speaker 1 00:21:42 The Texas scene. Americana lives in the rock world a little bit now and then like rock, regular rock music is leaning heavy. Right? Like guys like Austin Snell, like his first single was like a rock single. That's great. And he's gonna do some country stuff too, but it's like rock songs. Sure. You
Speaker 2 00:21:57 Know, dude, you're right.
Speaker 1 00:21:59 One of the most popular producers in town town's, a guy named Andrew Bayless and he was like from Jelly Roll Camp and now he's doing like all the rock stuff. He's doing like a project with JE from Sevendust and he does like attack attack. Damn. And he does Austin Snell stuff and he has like a couple CORAs with co singles. That's cool. And he like Geo and those guys. So like when people come to town, they write with Bayless. Right.
Speaker 2 00:22:19 It's cool
Speaker 1 00:22:20 Man. So it's like, he's like a good hang and he is a great producer and a great writer, you know? Yeah. That's cool. But it's just nuts getting to see those kind of like, scenes merge, like the rock scene with the country scene. Sure.
Speaker 2 00:22:30 Oh, it's happening For sure. It is Texas. I mean, not specifically, but definitely there's a scene there. Oh,
Speaker 1 00:22:36 Absolutely. The, that's, I remember
Speaker 2 00:22:37 It's like modern Texas country, like super modern Texas countries like that.
Speaker 1 00:22:41 I remember, uh, hearing someone say, yeah, if you're in a college town in Texas or Oklahoma now, the stuff that's like traditional, isn't it anymore? They're not really selling tickets. It's like the real new red dirt or it's the rocking stuffs and that's what's
Speaker 2 00:22:55 Workings too, which is crazy. And
Speaker 3 00:22:57 Even the bands, like, you'll hear your bands try to copy, you know, sounds just like, you know, new people out there. And even like, even that stuff gets snipped out. Like Oh yeah. Like just the originality of somebody's sound is like what sells right now. Yep. It goes college. Sounds for sure.
Speaker 1 00:23:09 It's, it's super cool seeing that happen. I honestly, I haven't been down there at at all, but I, now that we're doing Raise Rowdy full time, I gotta get to Texas in the next year or Oklahoma. We
Speaker 2 00:23:19 Gotta get you to still water.
Speaker 1 00:23:21 Still water. Yeah dude, I want to, me and Sam, we'll bring Sam down. We're uh, Sam and I are actually going to uh, louder than Life Rock Festival. So we're like doing media coverage there at least I think so we'll see if they actually give us tickets, but yeah, he's so stoked 'cause he's just a huge, huge rock fan and Limp Biz's playing and that's like, oh that's cool. His favorite band of all time. So <laugh>.
Speaker 2 00:23:42 Dude, I went to Rock. I went to Rock Oklahoma like every year before I ever knew how to play guitar. Me and my sisters go to rock concerts growing up like crazy. It's so much fun. Yeah, it is. It's cool.
Speaker 1 00:23:54 It's funny though, like, so we were been out doing a lot of like festival going, so we went to Tailgate and Tall Boys and Nickelback headlined it in between every set. The whole weekend they were playing like butt rock songs.
Speaker 2 00:24:07 Yeah.
Speaker 1 00:24:08 And it's funny because they were like, Nickelback can do extremely well at a country festival now, but if you put them on a rock festival they'll get like booed off the stage
Speaker 2 00:24:16 Still. Right. Because it's still I could see that. Yeah.
Speaker 1 00:24:18 It's so funny. Like,
Speaker 2 00:24:20 Uh, what's it, okay, this is no disrespect. Like I actually think Nickelbacks vocals are insanely awesome. Yeah. What's that guy that sings that song? It's a country song. Golly. What is his name? I'm not even gonna think of it. And we're just gonna be left Puzzled <laugh>. Anyways,
Speaker 1 00:24:35 Do you have any lyrics from the song?
Speaker 2 00:24:36 Um, remember I do I have anything? What is it?
Speaker 3 00:24:40 That one song?
Speaker 2 00:24:41 Okay. Nate Smith. Nate
Speaker 1 00:24:42 Smith. Yeah.
Speaker 2 00:24:42 Dude, I was listening to the radio and I was like, did Nickelback, this sounds so disrespectful. Nate, I don't know you if you ever hear this. He's a great guy. <laugh>, your music's awesome voice is incredible. I just heard his voice and I'm like, that's freaking Nickelback bro.
Speaker 3 00:24:56 Wheeler.
Speaker 2 00:24:56 He's hitting Nickelback notes, dude. I'm like, this is sick.
Speaker 1 00:24:59 Funny enough, Nate's managed by the same people as Nickelback.
Speaker 2 00:25:02 You're kidding. That makes sense.
Speaker 3 00:25:04 Sense makes sense. Dude.
Speaker 1 00:25:05 So Josh Ross too. If you hear Josh, you'll hear some like of that influence in there too. Really Like that Sonic, you know what I mean? Sound Yeah. On a couple of his songs and that's No way. Yeah. They're they're all in the Bailey Zimmerman's in the Nickelback trick too.
Speaker 2 00:25:17 Yes. Absolutely. Yeah. The melodies are just great dude. Yeah. I mean, say what you will. Yeah. I mean it's great.
Speaker 1 00:25:22 It's working man. Right. Again, for the second time, you know, probably for the fifth time. It probably happened 10 times before I was born, you know? Right.
Speaker 3 00:25:29 On a little side quest, uh, I think last Monday You guys listen to Hot Mulligan? No. Oh dude, you listen to Hot Mulligan never heard you guys had check out Hot Mulligan. They're like a post emo rock band. Hell yeah. I don't even know where they're from. Mm-hmm. <affirmative>. But they just, they just dropped their second album. We went and watched them at the, uh, the tower in O K C last Monday. Insane. Like I've never been to really even like a rock show, rock Oklahoma or anything like that. Mm-hmm. <affirmative>. And this was just like straight up like silence. He like the, the singer he called, I don't even know his name, but they're badass. He called everybody to be quiet like three songs in, like don't say a Word. And he's the only count of three Way Crack Your Knuckles. And it was like just everybody cracked their knuckles at the same time and it was loud as shit. It was insane, dude. Like, it was actually crazy. That's cool. Some, some lady on the front row like passed out, like fell on the, the front of the stage and they like carried her to other side. Like it was insane. Like I've never experienced a show like that. Yeah. That's pretty cool. But we gotta like unique knuckle cracking in some red direct shows.
Speaker 2 00:26:23 We'll add it, we'll add it too
Speaker 4 00:26:24 Louder than Life. September 21st through the 24th in Louisville with Through Fighters Green Day Too. Old Ed Sevenfold got Smack Bizkit Panera, queen of the Stone Age, Weezer Mega Death Turnstile and many more. Get your passes on sale now at louder than life festival.com.
Speaker 1 00:26:55 I'm, I'm a little bit older than y'all, so I remember like my early shows were like, there were fucking pits Uhhuh <affirmative>, like Active Pits. And I was at a show and I'm like, you crazy 17. And I was like, what's going on? I'm like, I'm gonna get in there. And then I get my eye busted up and I'm like, all right, I'm done. <laugh>.
Speaker 2 00:27:08 You know, <laugh>, what was my tooth
Speaker 1 00:27:10 Man? It's nuts. Like, and there's bands in town like these guys, Lakeview, I don't know if you've heard of them. I haven't heard of Lake Lakeview is like Country Rock Fusion. Really? And dude, there's pits that open up at some of their shows.
Speaker 2 00:27:21 Really? Yeah. No way. That's
Speaker 1 00:27:24 Pits like in Louisville and places like that.
Speaker 2 00:27:26 Tr we're gonna start a pit in your Yeah. You're
Speaker 1 00:27:28 Like open up the pit. Just tell people, you know, I
Speaker 3 00:27:31 Got this wireless dude, I'm not just surfing. I could
Speaker 2 00:27:32 See pits at Hardy shows. I could see Pits,
Speaker 3 00:27:35 Dude, I don't wanna go see Hardy. Yeah
Speaker 1 00:27:36 Dude, he's great. I worked over a big loud for like a year and a half. I did like marketing did for them for a while. So I got to like hang with Hardy a little bit 'cause it was like kind of his baby. Oh man. And dude, he is as good of a guy as you think he is. Dude. Writing
Speaker 3 00:27:48 Is incredible too. Like
Speaker 1 00:27:49 Yeah, he's such a killer writer. Nuts. Yeah. It's funny too, you can like hear him in a song and it's more like cadence than it is lyrics. It's like Cole Swindell cut a song from Hardy and you could like his
Speaker 2 00:28:00 Style
Speaker 1 00:28:00 It sounded like Hardy, you know? Right. So it's like super interesting hearing his songs get cut by other folks now that you know his lane. You're like, oh, that's a
Speaker 2 00:28:08 Hardy song. That's cool when you can tell dude. Yeah. That's awesome. There's
Speaker 1 00:28:12 A couple writers that I'm just big fans of where I'm like, does this, this? And it isn't always right. Sometimes
Speaker 2 00:28:18 It's like when you guess it, right? Yeah. You're like, yeah, <laugh>. Oh dude.
Speaker 1 00:28:20 It's funny too, like there's a guy, Reed Hotten, who's from Alabama and he just put out a new EP that he did with Sadler Vaden. It's awesome. Really good guitar work. And it sounds like Brent Cobb and it sounds like Adam Hood. Mm-hmm. <affirmative> Damn. And but they weren't writers on it. That's just the stuff he listened to. Wow. So it's like leaking into his music. You listen to this. Yeah. You know? Yeah. It doesn't sound exactly like that, but it's
Speaker 2 00:28:42 Like, you can tell that vein,
Speaker 1 00:28:43 Dude.
Speaker 2 00:28:44 Uh, that's so cool.
Speaker 1 00:28:45 It's cool. And it's the same thing, like you hear with like a lot of the scene you'll hear like ragweed stuff in people's songs. Right. You
Speaker 2 00:28:50 Can hear like people like you're, they
Speaker 1 00:28:52 Listen directly. I
Speaker 3 00:28:54 Gotta be careful sometimes like there'll be lines that come out or like a chord progression. Like, damn, let's way too close. Like I gotta like I know exactly where that came from.
Speaker 1 00:29:01 Your brain doesn't know till you remember. Yeah. Or like,
Speaker 3 00:29:04 We're in the studio, I'm like, damn, I gotta change the key to this song. 'cause I'm like, I did not realize, like I was hearing that in my head
Speaker 2 00:29:09 Lately, man, I've had that problem man writing stuff and I'm like, dang, is that too close to that <laugh>? It's like subconsciously like Yeah, you didn't even do anything on purpose. Like
Speaker 1 00:29:17 There's only so many melodies out there.
Speaker 2 00:29:19 Right?
Speaker 1 00:29:19 Absolutely. You know, there's only so many chord progressions you can do. There is, you know, especially, I mean, I know guys that are like, I remember talking, talking to people that wrote with Luke Combs and they're like, Luke only knew three chords. So those are the ones we played, you know, <laugh> in the early days, you know, because he had to play 'em, you know,
Speaker 2 00:29:34 <laugh>, right. Dude, that's me dude. For sure.
Speaker 1 00:29:36 They're like, so that's what the ones we wrote with, you know, were the ones he knew how to play. It's a interesting thing to see that now, like all these bands have such big bands, like Luke's band's huge.
Speaker 2 00:29:47 Yeah, I can see that.
Speaker 1 00:29:48 Yeah. Like my normal co-host is in Luke's band. He's Kurt Ozon, he's uh mm-hmm. He's like his steel player. He does all strings for him. That's cool. And they're click track, but that's it. Like no tracks, which is like not often in Nashville now. Right,
Speaker 2 00:30:02 Right. I believe
Speaker 1 00:30:03 That most of the guys are using tracks, you know? Yeah. Like dude, like Hardy doesn't even have a bass player. The base is in the fucking tracks.
Speaker 2 00:30:10 You're kidding?
Speaker 1 00:30:10 It's crazy, man. That's insane. It's like, it's just like his thing now. Like at first it was to save money and then he is like, all right, the bass player's the the best player in the band. It's always on time, you know, <laugh>.
Speaker 2 00:30:21 Well I, I'm have a talk with my bass player. Yeah.
Speaker 1 00:30:23 It's super interesting. And dude, it's funny too because like with shows like that, you have to pay a fine for the musics union, the music. You're kidding. Yeah. So like you'll get fined for not having like a bass player really. But it's not enough to make it not worth your while.
Speaker 2 00:30:38 It's still cheaper. Why is that? I
Speaker 1 00:30:39 Mean, I don't, I think it's just a union. It's
Speaker 2 00:30:41 Punishment. Yeah. I think it's just
Speaker 1 00:30:42 How was that even? I don't, dude, I don't know. I just have people that told me that if you're playing bass on keys or something like that, maybe. Maybe that'd work. I don't know if it's just,
Speaker 2 00:30:50 I've seen a dude do that. It was unbelievable dude. He was doing, I don't even know what he was playing with his hand. We were on, we were on a beach playing and they didn't have a bass player and he's like not even focused and he's playing bass. And I'm like, that's insane. Crazy. It was the coolest thing ever.
Speaker 1 00:31:04 It's like, uh, the Cadillac three has Kelby play bass through a fucking sit down steel, you know what I mean? Like, so they have a double amped, they have an amp for the steel and they have an amp for bass and he plays fishing.
Speaker 2 00:31:16 Man,
Speaker 1 00:31:16 It's insane. They get around that, but it gets 'em that like muddy sound. Right. So it has like a distinct sound when they play live. Yeah. You know, which I think is part of like what makes me love them so much. Sure. Like that's the band I've seen the most is the Cadillac three.
Speaker 2 00:31:28 I'm a fan, but I've never seen 'em live. Yeah,
Speaker 1 00:31:30 They're so good. Live three guys and it's like a seven piece. They're just fucking That's so cool. Fucking crushing. It's insane. Neil's so good on drums. Kels down doing that. And he plays some upright bass too, you know, like some irregular bass on some stuff, like the newer stuff. And then Jarron's just a rock star dude. He's just like the front man that you'd want to have got
Speaker 2 00:31:47 To be if you're a three piece he Yeah. He's just
Speaker 1 00:31:49 A fucking monster and slays it electric and he like throws his hat up and spits stuff in the air. Like he's a fucking rockstar, you know? Dude, it's, who have you
Speaker 2 00:31:58 Seen more than anybody? Um, I don't know who I've seen more than anybody, but like the, like you were saying, the three piece dude, this was, I didn't even, I don't even think I played music yet. I went and watched Chris Stapleton and it was him as a three piece. And my jaw, dude, I don't, I still haven't picked it up off the floor. <laugh>. It was like the craziest thing I'd ever seen. I'm like, this guy is unbelievable.
Speaker 1 00:32:23 I remember, uh, I had a friend that I knew in Pittsburgh, Pennsylvania where I'm from and she was like, Hey, my buddy that I grew up with is like a singer songwriter in Nashville. He's like in some bands and stuff. His name's Chris Stapleton. <laugh>. Right. And this was before he was like doing his solo stuff. Right. It's like I looked up like Johnson Brothers Johnson. Yeah. And I was like, oh, this is cool. Right. And then I saw like he was starting to drop music and that was the first year I went to c m A fest and I tried to go to his show, but it didn't end up happening. We were drunk. Mm-hmm. <laugh>, honestly, like we were just like got caught in a hockey talk, you know? Sure. But there's, uh, I got to see him open up for um, Warren Haynes and it was like right before all the shit popped and I got free tickets and then I won another four free tickets. So I brought a bunch of my buddies and I was like, listen, you guys don't have to stay the whole set, but you need to come for Chris Stapleton, you know, dude. And it happened and then like two weeks later the Timberlake thing happened and they were like, well, <laugh>,
Speaker 2 00:33:22 We messed
Speaker 1 00:33:22 Up. You were right Nick. No, they came. No, they came. Yeah. I had four buddies that came with me and they were like, well, you were right again Nick, you know, <laugh>. I was like, I didn't know that was gonna happen, but I knew this guy was good. Right. I got like a record store, release vinyl of his, it's like, I think it's one of 500 mm-hmm. <affirmative>. It's just like, you know, one of the little ones the the eight inch. Right. And uh, I mean his voice is just stupid. Oh yeah. Steel drivers Johnson Brothers, like his solo stuff. It's just
Speaker 2 00:33:48 Put him against, I mean, I would put him against anybody just sitting down with an acoustic guitar. I mean, yeah. It's not even worth trying with anything. You're like,
Speaker 3 00:33:55 You put a cardboard box on its hands. Right. Yeah.
Speaker 1 00:33:57 That's one of the craziest parts about being here in town is you watch these vocalists come to town and they're just insane. Like there's this girl Shelby Ray that we're like big on and mm-hmm. <affirmative>. She has been in town maybe a year now, right around a year. And I think she just like had her first, it was actually a Stapleton video just popped on TikTok. It was like her first TikTok Pop. Uhhuh <affirmative>. But if you are paying attention at all in town, you've like, in Nashville, you know that name, but no one outside of Nashville or South Carolina knows that, you know? That's cool. She's just a badass. And you'll get to hear people that you're like, oh, they're probably good. And then you'll hear 'em singing and you're like, what the, you know? Mm-hmm. <affirmative>. Yeah. There's a girl, it's funny, she was a bartender at Live Oak, which is where we host, uh, writer's rounds. Okay. And she was a bartender and she was up there playing and she sounded like Stevie Nicks. And I was like, whoa. No
Speaker 2 00:34:45 Way, bartender. Yeah.
Speaker 1 00:34:47 That's cool. Cool. Everybody's a bartender here, you know, <laugh>
Speaker 2 00:34:50 Sure you're right.
Speaker 1 00:34:51 I've heard that too. You've gotta have two jobs here. <laugh>. I remember someone told me, and it was one of my favorite things I've ever heard in town. They're like, yeah, if you're looking for the best drummer in the bar, go in the kitchen. <laugh>. Is that
Speaker 3 00:35:01 Right?
Speaker 1 00:35:02 Because it's so true. You know, because just so many talented musicians here that like, you just gotta do whatever you can to like get enough money to get through. 'cause it's not cheap.
Speaker 2 00:35:10 Cheap. I know Nashville enough, man. I'm not super familiar with
Speaker 1 00:35:13 It. It's, it's nuts man. It's just such a vibrant, like everybody moves here to do it.
Speaker 2 00:35:17 Right. I know that much. But
Speaker 3 00:35:19 I knew I was gonna have a good time whenever I got here this morning and I was just driving, we were just looking at like vintage t-shirt shops Just killing time at like nine 30 this morning. And we're driving past this record shop and I see Turnpike's new album logo painted on the side of it. I was like, they got turnpike painted on the walls out here walking there. It was grimy. So I guess it's like associated with the
Speaker 1 00:35:39 Basement. Yeah. Yes.
Speaker 3 00:35:39 And uh, I went in there, I found me a, a Waylon Jennings record for $3 and Turnpike record. And I was like, dude, this is badass. Like, this is already a great day. It's like 10:00 AM That's cool. Yeah,
Speaker 1 00:35:49 It is a cool town, man. Some of the stuff is like, of course touristy like Right. You know, there there's that. Any city that has this much growth like Nashville's had, it's gonna have that. I
Speaker 2 00:35:58 Don't mind it either.
Speaker 1 00:35:59 I mean, it's cool man.
Speaker 2 00:36:00 It's
Speaker 3 00:36:00 Cool. It just feels good out here. I mean,
Speaker 1 00:36:02 Yeah. I just, I don't go downtown on weekends much, you know, <laugh>, I'll stay out here in like the outskirts of town and go to venues and stuff, but, uh, Broadway on a weekend when you're here enough that you've done it already is, is a little brutal. You hear
Speaker 2 00:36:16 That? Yeah.
Speaker 1 00:36:17 But I will go to Robert's Western world. Have you guys ever been there? No. Uhuh. So next time you're in town, Robert's Western World's on Broadway. It's just this little bar, but it's all old school country and they have a recession special. It's six bucks. It's a fried bologna sandwich, a moon pie, a bag of chips, and a P B R for six bucks. Sounds like
Speaker 2 00:36:36 Dude something. My grand six bucks. Definitely.
Speaker 1 00:36:38 Yeah. I mean, I get that every time I'm there. <laugh>,
Speaker 3 00:36:41 What's that
Speaker 1 00:36:42 Place called? Uh, Robert's Western World. Okay. That is on Broadway, the cheapest place to drink beer. And they have PBR R and Bush Light in their two 50 each.
Speaker 3 00:36:48 I'm gonna need you to write down like all people Robert's Western world told us to listen to and all like the places that you've mentioned, like just gimme a list when we're done with this. I'm
Speaker 1 00:36:55 Down. Yeah. <laugh>. It's uh, it's one of those places where you're there and you're like, okay, yeah, this place feels like old timey, you know?
Speaker 2 00:37:03 Oh yeah.
Speaker 1 00:37:04 Like cool. It's the only place left downtown that really has that like, old, old Tommy feel still. There was a couple, they tore a few of them down after Covid. Mm-hmm. <affirmative>. But um, and then there's like the Palace and the Scoreboard, which are kind of like out by the Opry Mills and they got like an old school vibe too. That's cool. Yeah.
Speaker 2 00:37:19 Still because such a great history man. Absolutely. You gotta try to keep some of it around.
Speaker 1 00:37:22 Yeah. They're renaming all the bars downtown to artists' names, but <laugh>, is that right? Oh yeah. I think Wallins got one coming. Luke Combs got one coming. I understand stuff. Yeah, they're, they're all over. But I mean, they're printing money so I, I can't blame 'em, you know,
Speaker 2 00:37:36 <laugh>. No, I guess not.
Speaker 1 00:37:38 Um, what is the song that you think gets the best reaction for you? So I know you said that, right? You're Yeah, that's
Speaker 2 00:37:45 Ours for sure. Now
Speaker 1 00:37:47 Anything that even like in the middle of the song, they're starting to sing back or just you notice people like really paying attention to?
Speaker 3 00:37:53 Um,
Speaker 3 00:37:55 I would say honestly, um, so there's kind of two answers online. There was an old one that started d the numbers for us that I released like two or three years ago and it was a battle to build Dalton mm-hmm. <affirmative> song. I wrote about an outlaw that died a mile from my house and they're all buckle mountains in southern Oklahoma like 120 years ago. And that song did nothing. It flopped completely. No one even listened to it. And then that, that was one that I kind of pumped out on TikTok, just stayed on it. And uh, it's, it's like top four, three or four right now. But as far as live goes, like you'll see later tonight, we transitioned the end of our set right now from that song to Rains in Tulsa two. And that's one that really kind of kicked things off last September.
Speaker 3 00:38:33 Got us like kinda on the right track and figuring out what we need to be doing. So we'll transition into that one. Uh, that one's definitely had like the biggest impact as far as like people ran on people knowing it. Yeah. But there's a cool part that we're gonna do later and I don't really care to give it away 'cause we've been doing it for like three months at this point. But we'll just, I'll just go completely acapella at the uh, in like during the third chorus. Last chorus. Yeah. And everybody kind of thinks the song is over. I guess I'm gonna give it away. <laugh>, everybody thinks the song is over and so they start clapping. I'm just like kind of sitting back and I just like jumped back on the last chorus like with no instruments and like that one just always hits different. Like we, we did that for the first time, stuff like that. And that was just like, that was like a euphoric feeling for me. Yeah. So I think that's probably the one right now I had to pick on.
Speaker 1 00:39:16 Can't be anything better than people like singing your songs back. It's crazy. Or really being into it. It
Speaker 3 00:39:20 Blows my mind. I can't imagine how you feel Dude. <laugh>
Speaker 2 00:39:23 Crazy dude. It's insane. It is. It's neat. That's
Speaker 1 00:39:26 Awesome. Well thank you guys so much for sitting down. Like I said, when y'all are back in town, let's do full podcast with each course. Yeah dude,
Speaker 2 00:39:32 I'm down and get talk longer. I'd be
Speaker 1 00:39:33 We'll do it. I appreciate y'all giving me some green room time. Oh yeah. And having me and Peyton out for the show. I can't wait to Oh it's gonna be awesome. I'm gonna drink a couple beers myself. Yeah, go
Speaker 2 00:39:42 Get 'em dude.
Speaker 1 00:39:43 <laugh>. Well thank you guys for listening. Make sure you follow Josh and Trenton on socials. They'll be on here and um, catch 'em out on the road whenever you can. And we gotta get down to Oklahoma I guess. Yeah, y'all
Speaker 3 00:39:56 Are coming man.
Speaker 1 00:39:56 Let's
Speaker 2 00:39:57 Plan that up. Are still out or something?
Speaker 1 00:39:58 Sam's been begging to get back down there, so I'll have to drag him with me for sure. A hundred percent. Well thank you guys for listening. This is the Raise Roddy podcast.
Speaker 0 00:40:07 You don't have, it's just where you're in a hell.
